Resurrection Bay: Caleb Zelic Series: Volume One
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ONE OF THE YEAR’S 10 BEST MYSTERY NOVELS — PUBLISHERS WEEKLY Finalist for the CWA (Crime Writers’ Association) Gold Dagger Finalist for John Creasey (New Blood) Dagger Awards From Australia’s most exciting new crime-writing talent comes an “outstanding . . . gripping and violent” thriller starring a deaf PI who is “original and appealing” (The Guardian) Caleb Zelic can’t hear you, but he sees everything. And he never forgets a face. Caleb Zelic’s childhood friend has been brutally murdered—fingers broken, throat slit—at his home in Melbourne. Tortured by guilt, Caleb vows to track down the killer. But he’s profoundly deaf; missed words and misread lips can lead to confusion, and trouble. Fortunately, Caleb knows how to read people; a sideways glance, an unconvincing smile, speak volumes. When his friend Frankie, a former cop, offers to help, they soon discover the killer is on their tail. Sensing that his ex-wife may also be in danger, Caleb insists they return to their hometown of Resurrection Bay. But here he learns that everyone—including his murdered friend—is hiding something. And the deeper he digs, the darker the secrets . . .
Additional information
| Weight | 0.3 kg |
|---|---|
| Dimensions | 2 × 13 × 19.9 cm |
| PubliCanadation City/Country | USA |
| Author(s) | |
| Format Old` | |
| Language | |
| Pages | 304 |
| Publisher | |
| Year Published | 2018-9-4 |
| Imprint | |
| ISBN 10 | 1782273913 |
| About The Author | Emma Viskic is an award-winning Australian crime writer. Her critically acclaimed debut novel, Resurrection Bay, won the 2016 Ned Kelly Award for Best Debut, and an unprecedented three Davitt Awards: Best Adult Novel, Best Debut, and Readers' Choice. It was also iBooks Australia's Crime Novel of the year, and was shortlisted for both the CWA Gold and New Blood Daggers in the UK. Emma studied Australian sign language (Auslan) in order to write the character of Caleb Zelic. She is currently writing the fourth Caleb Zelic thriller. |
Finalist for the 2019 Barry Award — Best Paperback OriginalA Financial Times Book of the YearA CrimeTime UK Book of the Year via three reviewersShortlisted for the Crime Writers’ Association Gold Dagger Award and the John Creasey (New Blood) Dagger AwardShortlisted for the Deadly Pleasures Mystery Magazine Barry Award for Best Paperback OriginalA "terrific debut . . . The hearing-impaired Caleb (Zelic) must rely on his keen ability to read faces as he tries to figure out whom, if anyone, he can trust. The truth behind the violence is both stunning and fairly clued, and Caleb is a sufficiently complex lead to easily sustain a series. James Ellroy and Paul Cleave fans will relish this hard-edged crime novel." — Publishers Weekly (Starred Review)"Outstanding. . . a gripping and violent tale with a hero who is original and appealing." — The Guardian"More than lives up to its hype … Fierce, fast-moving, violent … it is as exciting a debut as fellow Australian Jane Harper’s The Dry, and I can think of no higher praise." — Daily Mail"Trailing literary prizes in its wake… superbly characterized… well above most contemporary crime fiction." — Financial Times"[A] stunning debut … original and splendidly plotted with a harshness that nevertheless allows humour to intrude. Above all, it has a superb cast of main characters." — The Times (Crime Book of the Month) "All the staples of Australian crime fiction are here: unflinching violence, corrupt cops, brutish men and tougher women. Viskic, garlanded with five book awards down under, adds some enjoyable refinements: Caleb Zelic, a hero whose investigations are somewhat hampered by the fact that he's profoundly deaf, and a zinging wit to savour. First of a Zelic series." — Sunday Times Crime Club"This outstanding debut from Australian author Viskic is fast-paced with gut-wrenching twists and an engaging protagonist." — Daily Express "A very impactful thriller… distinctive… a hero you will want more of in future." — The Book Bag"the dialogue is excellent. . . [the plot] zooms along." — Sunday Express"Wow! What a debut novel! Captivating, quirky and absolutely riveting." — Crime Book Junkie"Viskic’s novel is the reason I love reviewing. This is a truly gripping debut which feels as though written by a seasoned writer. Mesmerising." — Crimesquad"Excellent debut novel … certainly a name to watch." — SHOTS crime fiction magazine"Gutsy, original. . . [a] stunning crime debut… [with a] devilishly tricky plot." — Thriller Books Journal"The drama added by Caleb’s deafness is what makes the book." — Action on Hearing Loss“An Australian thriller at its finest. A captivating read from first page to last. In Caleb Zelic, Viskic has created a character with depth and heart who will linger long after the final page.” — Jane Harper, author of The Dry"In her research for Resurrection Bay, the author studied Australian sign language to add to the authenticity of the novel and that work really pays off here." — Crime Fiction Lover“Pacy, violent but with a big thundering heart… An outstanding debut.” — Eva Dolan, author of Long Way Home “A terrific book … sharp, punchy, visceral and propulsive. The story grabs you by the throat from the opening pages and it never once slackens its hold.” — Christos Tsiolkas, author of The Slap"On par with the heavyweights of crime." — Sydney Morning Herald"A compelling, highly recommended read." — Books+Publishing"An outstanding debut novel from an author you'd hope is busy on the next instalment right now." — The Newtown Review of Books"Distinctive flavour. . . several twists." — Herald Scotland "Fast-moving narrative. . . numerous yet coherent plot developments. . . [the character of Caleb is] convincingly portrayed." — Mystery People"Viskic has created a genuinely unique and captivating character who deserves a place alongside Jack Irish and Cliff Hardy." — P. M. Newton"I was totally immersed … sharp, snappy, hard-boiled … a refreshingly original main protagonist." — Raven Crime Reads "A kick in the teeth when the sting in the tail comes." — Clover Hill"I was hooked … There is so much to love about Resurrection Bay." — Northern Crime "A truly rock and roll writing style… riveting … banging brilliant … A perfect storm of a read … Highly recommended." — Liz Loves Books"A deadly game of cat and mouse … with double-crossing and questionable motives aplenty … a good twist." — Crime Thriller Hound"Outstanding… gripping and violent… a hero who is original and appealing." — Laura Wilson, Guardian "If this is anything to go by, we could do with more Aussie crime fiction over here. Viskic knows how to put together a gripping story." — Nudge Books"It has a unique take… great twists and turns with excellent layering." — Nudge Books Second Opinion Column"A terrific new voice. Great writing and credibly vulnerable characters." — The Irish Examiner"After reading this book [book two] can’t come quickly enough… I really need to know what happens next." — Steph’s Book Blog"Punchily written and snappily paced, with a vivid cast of characters." — David’s Book World (blog) "A thriller that delivers a rush… a gritty and at times violent book with a great storyline at its very heart." — The Last Word (blog) "An excellent twist… The writing flowed effortlessly… A recommended read for all crime thriller fans." — Never Imitate (blog)"Viskic really ramps up the tension… Excellent pacing, I loved the plot… Fantastic conclusion which delivered." — Col's Criminal Library (blog) | |
| Other text | "An Australian thriller at its finest. A captivating read from first page to last." — Jane Harper, author of The Dry"An outstanding debut… Pacy, violent but with a big thundering heart, it looks set to be one of the debuts of the year and marks Emma Viskic out as a serious contender on the crime scene." — Eva Dolan"Terrific… Grabs you by the throat and never slackens its hold." — Christos Tsiolkas, author of The Slap |
| Excerpt From Book | 1. Caleb was still holding him when the paramedics arrived. Stupid to have called an ambulance – Gary was dead. Had to be dead. Couldn’t breathe with his throat slit open like that. Th e ambos seemed to think so, too. Th ey stopped short of the blood-slicked kitchen tiles, their eyes on Gary’s limp form in his arms. A man and a woman, wearing blue uniforms and wary expressions. Th e woman was talking, but her words slipped past him, too formless to catch. ‘It’s too late,’ he told her. She stepped back. ‘You got a knife there, mate? Something sharp?’ Speaking slowly now, each syllable a distinct and well-formed shape. ‘No.’ The tightness didn’t leave her face, so he added, ‘I didn’t kill him.’ ‘Anyone else in the house?’ ‘No, but Gary’s kids’ll be home from school soon. Don’t let them see him.’ She exchanged a glance with her colleague. ‘OK, how about you put Gary down now, let us check him out?’ He nodded, but couldn’t seem to move. The ambos conferred, then ventured closer. They coaxed his hands loose and laid Gary gently on the fl oor, their fingers feelingfor a pulse that couldn’t be there. Blood on their gloves. On him, too – coating his hands and arms, soaking the front of his T-shirt. The material stuck to his chest, still warm. Hands gripped him, urging him up, and he was somehow walking. Out through the living room, past the upended fi ling cabinet and slashed cushions, the shattered glass. Away from the terrible thing that used to be Gary. He blinked in the pallid Melbourne sun. The woman’s voice hummed faintly, but he gazed past her to the street. It looked the same as always – a row of blank-faced houses; trampolines in the front yard, labradoodles in the back. Th ere was his car, two wheels up on the curb. He’d been fi nishing a job down the Peninsula when Gaz texted: a great result, back-slapping all round. It had been an hour before he’d read the message, another two in the car, stuck behind every B-double and ageing Volvo. He should have run the red lights. Broken the speed limits. The laws of physics.Police lights strobed the street as dusk turned to darkness. Caleb sat on the back of the ambulance tray with a blanket around his shoulders and the company of a pale and silent constable who smelled of vomit. His own stomach churned. He couldn’t rub the blood from his hands. It was in his pores, under his nails. He scrubbed them against his jeans as he watched strangers troop in and out of Gary’s home. They carried clipboards and bags, and wore little cotton booties over their shoes. Across the road, the lights from the news vans illuminated the watching crowd:neighbours, reporters, kids on bikes. He was too far away to see their expressions, but could feel their excitement. A charge in the air like an approaching storm. The constable snapped to attention as someone strode down the driveway towards them. It was the big detective, the one who’d searched him and seemed a little disappointed not to find the murder weapon. Around Caleb’s age, mid-thirties at most, with short-cropped hair and shoulders that challenged the seams of his suit. Telleco? Temenko? Tedesco. Tedesco stopped in front of the young policeman. ‘Move the reporters back from the tape, Constable. If you feel the urge to up-chuck again, aim it at them rather than the crime scene.’ He turned to Caleb. ‘A few more questions, Mr Zelic, then I’ll get you to make your statement down the station.’ Th e easy rhythms of a dust-bowl country town in his speech, but his face was half-hidden by shadows. Caleb shifted a few steps to draw him into the light. Tedesco glanced from him to the nearest streetlight. ‘If it’s too dark for you we can move closer to the house.’ Metres from Gary’s body. Th e stench of blood and fear. ‘Here’s fine.’ ‘I take it you had more than just a business relationship with Senior Constable Marsden.’ ‘He’s a friend.’ No. No more present tense for Gary. From now on, only past: I knew a man called Gary Marsden, I loved him like a brother. Tedesco was watching him: a face hewn from stone, with all the warmth to match. He pulled a notebook from his pocket.‘This urgent call he made, asking you to come, can you remember his exact words?’ ‘I can show you, it was a text.’ His hand went to his pocket, found it empty. Shit. He patted his jeans. ‘I’ve lost my phone. Is it in the house?’ ‘A text, not a call? Not too urgent, then. Could just be a coincidence he asked you to come.’ ‘No. Gaz always texted me, everyone does. And he was worried. He always used correct grammar, but this was all over the place. Something like, “Scott after me. Come my house. Urgent. Don’t talk anyone. Anyone.” All in capitals.’ Tedesco flicked slowly through his notebook, then wrote. Careful letters and punctuation, a fi rm, clear hand. He’d be able to read that back in court without a stumble. Gaz would have approved. He kept his pen poised. ‘Who’s Scott?’ ‘I don’t know.’ ‘I don’t care what dodgy dealings your company’s involved in, Mr Zelic. I’m homicide, not fraud, not narcotics. So what are we talking about here? A deal gone wrong? In over your heads with someone?’ ‘No, there’s nothing like that. Trust Works is legit. We do corporate security, fraud investigation, that sort of thing. My partner’s an ex-cop – Frankie Reynolds. Ask around, half the force can vouch for her.’ ‘And Senior Constable Marsden? How does he fit in?’ ‘He was just helping out on an insurance case, earning a bit of extra cash.’ It had been a fl ash of fuck-I’m-good inspiration over Friday-night beers with Gaz. A solution to a job that was way too big for them. One that Frankie had tried to talkhim out of accepting. Why the hell hadn’t he listened to her? Tedesco was talking again, asking if Gaz had . . . something. Many problems? No, that couldn’t be right. ‘Sorry, what?’ ‘Money problems,’ Tedesco said. ‘You said he was earning extra cash. Did he have money problems?’ ‘No, but he’s got a young family, money always comes in handy. Look, the case has to be connected. It’s a couple of big warehouse robberies. Gaz thought the thieves had an inside contact.’ ‘Constable Marsden wasn’t killed by some dodgy warehouse manager, Mr Zelic. He was executed. Executed – that’s a word you don’t hear thrown around the outer suburbs too often.’ A happy-looking word: a little smile for the first syllable, a soft pucker for the third. ‘Blood all over the walls and ceiling.’ Tedesco waited a beat. ‘All over you. Th at’s someone sending a message. Who? And what?’ ‘I don’t know. He was just talking to people. Nothing dangerous, nothing . . . I don’t know.’ Th e detective’s eyes pinned him. Grey; the colour of granite, not sky. If the silent stare was an interrogation technique, it was wasted on him: he’d always found silence safer than words. ‘Right,’ Tedesco fi nally said. ‘Come this way. I’ll get someone to take you to the station.’ ‘Wait. Th e dog, the kids’ dog, I didn’t see it. Is it . . .?’ The detective’s words were lost as he turned away, but Caleb caught his expression. A fl ash of real emotion:sorrow. Fuck. Poor bloody kids. Tedesco was halfway across the road, striding towards the crowd. Later, deal with it all later. Just hold it the fuck together now. He jogged to catch up and followed Tedesco under the police tape. Cameras turned their black snouts towards him. Lights, thrusting microphones, a blurred roar of sound. He froze. Tedesco was in front of him, his mouth moving quickly. Something about parachutes? Parasites? ‘I don’t understand,’ Caleb said, then realised he was signing. He tried again in English. Th e detective gripped his arm and hauled him towards a patrol car, half pushed him inside. Th e door slammed shut, but couldn’t block the hungry faces. Caleb closed his eyes and turned off his aids. Scott. A soft name, just sibilance and air. Who the hell was he? And why had Tedesco taken twenty seconds to flick through a clearly blank notebook when Caleb had mentioned his name? |
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